Simplicity is the fundamental guideline for creating good out-of-home design. The most effective out-of-home designs capture the essence of a message with lucid expression. For this reason, good out-of-home design can lead to better advertising executions in other media.
Like sound waves, light rays have varying wave lengths or frequencies. Some pigments absorb light while others reflect it. Reflected frequencies are perceived as color. Complementary colors, such as red and green, are not legible together because they have similar values that cause the wave lengths to vibrate. Any combination of similar color value (even without vibration), will produce low visibility. Yellow and black are dissimilar in both hue and value providing the strongest contrast for out-of-home design. White complements colors with light values.
Strong contrast in hue and value is essential for creating good out-of-home design. Hue is the identity of color while value measures a color's lightness or darkness. Contrasting colors are best when viewing out-of-home designs from far distances.
The 14 color combinations represent the best use of color contrast for readability. The chart evaluates primary and secondary color combinations taking into account hue and value. Example one is the most legible color combination while example 14 is the least legible.
Advances in production technology are allowing advertisers to use increasingly complex imagery in their creative application. However, the requirements for effective outdoor advertising have remained the same — imagery must be bold, clear and easy to understand.
Strong images against simple backgrounds create high-impact visuals. The Image on the left is a good example.
Sufficient kerning between letters assures the legibility test from far distances. Tight kerning reduces legibility causing adjacent letters to attach together visually. Without proper kerning "clear morning" could be interpreted as "dear mom."
A single horizontal line of text allows rapid assimilation of a message without interruption. Multiple text lines increase the time needed to discern a message.
If more than one text line is necessary, use adequate leading between lines. When a line of text rides on the line below the interplay of descenders and ascenders it will make a message difficult to read.
| Distance in Feet | Print Resolution | Resolution for LED | Examples | Minimal Readable Text Height in Inches |
| 5' - 50' | High | 3mm-8mm | Malls, Airports, Retail, Lobbies, Office etc. | 1" - 2" |
| 50' - 100' | High | 6mm-12mm | Window, Street Display, Drive through | 2" - 4" |
| 100' - 200' | Normal | 12mm-25mm | Posters, Surface Streets | 4" - 8" |
| 200' - 300' | Normal | 25mm-34mm | Posters, Surface Streets and Highway bulletins | 8" - 10" |
| 300' - 350' | Normal | 34mm-66mm | Highway Bulletins, Highway Posters | 10" - 15" |
| 350' - 500' | Normal | 34mm-66mm | Highways, Spectaculars | 15" - 20" |
| 500' - 600' | Low - Normal | 66mm-76mm | Highways, Spectaculars, Stadiums | 20" - 24" |
| 600' + | Low | 76mm-90mm | Skyscrapers, Spectaculars, Set back from road | 24" - 40" |
| Note: Readability is also dependant on color contrast. Higher contrasts will allow smaller text size. Complicated backgrounds behind text will also reduce readability. | ||||